We've got all non-reduceable combinations between 2 and 8, except 7:5, because, well, it didn't fit on the page, and the shortest way to write it without resorting to quintuplets or septuplets is:
[This is an old, old post, and the written example is missing.]
...and without the measure of 5/8, it would take seven measures of 15/8 to resolve to a unison on beat 1. Kind of a nightmare.
Play these first with just the hands (playing different sounds), and then with all other combinations of limbs. You could also add a third limb playing the downbeats, or on every beat, or every two beats. Or on the major subdivision of that exercise— 8th notes, triplets, or 16th notes. Whatever works. I don't believe there's any special need to become very fluent with many of these, or to worry about bringing them into your actual playing, but working through them does improve your understanding of rhythm and meter.
Get the pdf
Play these first with just the hands (playing different sounds), and then with all other combinations of limbs. You could also add a third limb playing the downbeats, or on every beat, or every two beats. Or on the major subdivision of that exercise— 8th notes, triplets, or 16th notes. Whatever works. I don't believe there's any special need to become very fluent with many of these, or to worry about bringing them into your actual playing, but working through them does improve your understanding of rhythm and meter.
Get the pdf
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