I have less history with Muhammad, but he was an exemplar of a different way of playing funk than the alternately hyperactive, formulaic, and harshly forceful style currently in fashion. Seeing him play with Ahmad Jamal in the late 90s, I liked the big, spacious way he handled the tom toms; there was a touch of the funk drummer in it. That's a thing that's missing from a lot of young jazz drummers; they never worked soul gigs, and there's some element of bottom missing from their playing. Idris's recordings are still around, but having the man go away makes him literally less of a living influence, and more of a historical one, which is too bad.
Friday, August 01, 2014
Getting tired of these
I have less history with Muhammad, but he was an exemplar of a different way of playing funk than the alternately hyperactive, formulaic, and harshly forceful style currently in fashion. Seeing him play with Ahmad Jamal in the late 90s, I liked the big, spacious way he handled the tom toms; there was a touch of the funk drummer in it. That's a thing that's missing from a lot of young jazz drummers; they never worked soul gigs, and there's some element of bottom missing from their playing. Idris's recordings are still around, but having the man go away makes him literally less of a living influence, and more of a historical one, which is too bad.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment