It was difficult at times for me to isolate the bass drum from Eddie Gomez's bass playing, so I probably left some out, or put some things in that were actually the acoustic bass. Dejohnette swings his 16th notes for much of this; relating that back to this recent post, that's equivalent a normal jazz tune played at quarter note = 230— getting towards the upper limit for swinging the rhythm.
After the recent Max Roach series, I like the idea of making study guides based on transcriptions— maybe I'll get to that later in the week.
Get the pdf
No comments:
Post a Comment