If you can't do any of them— take half an hour and work them out, you may be missing the boat on something basic coordination-wise, there's a hidden weak spot in there that may be interfering with you in other areas.
6-9. Play melody rhythm with three limbs in unison, running 8th note on remaining limb:
And of course, you may want to do the 8th note things in a swing interpretation.
Summaries of all of those systems:
1. Play the melody rhythm with all limbs in unison.
2-4. Play melody rhythm on cymbal and bass drum, fill in spaces with snare drum/hihat (played w/foot).
2-4. Play melody rhythm on cymbal and bass drum, fill in spaces with snare drum/hihat (played w/foot).
Play with R on cym / L on snareL on cym / R on snarealternating sticking
5. Play melody rhythm with both hands in unison, fill in spaces with both feet in unison.
6-9. Play melody rhythm with three limbs in unison, running 8th note on remaining limb:
hands + BD over HH (foot)
hands + HH (foot) over bass drum
feet + LH over RH
feet + RH over LH
10-12. Same as 2-4, with swing interpretation, filling in triplets.
13. Same as 5, swing interpretation filling in triplets.
14-17. Same as 6-9, swing interpretation with triplets.
And of course, you may want to do the 8th note things in a swing interpretation.
[h/t to my student Matt S. for mentioning #5 as something Dejohnette was doing, setting this whole thing off.]
1 comment:
These are really fun. Seem kinda obvious in retrospect but i hadn’t thought them.
running eighth notes on the cymbal with the right hand and BD/snare unisons is good for getting the left hand and right foot synced up, which i struggle with. also works with quarter notes on the cymbal. or upbeats on the cymbal but i found that awkward
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