Includes a couple of simple rhythms that don't have a name, and the Charleston rhythm, tresillo, cinquillo, three different rhythms in 3/4, played across the barline in 4/4.
Play these as independent rhythms along with an ostinato, or in a Reed-style interpretation, or as ensemble rhythms/kicks— at the bottom are some practice phrases for that. Phrases 1 and 3 are good for a kick-type phrase, phrase 2 suggests a rhythm section figure, a la the tune Equinox. Plug in whichever practice rhythm you want in place of the example rhythm, of course.
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