This is connected with all the fill related jive we've been dealing with lately. I share it with you to illustrate a thought process, not a particular set of licks. These are some things I did live while practicing recently, without writing anything down, using the following humble page from my own book, Syncopation in 3/4:
You look at that see a lot of dumb rhythms in 3/4 time; I see an unending fairyland of playing possibilities for the drumset. You may put that in different terms.
I happened to be playing along with a loop sampled from Herbie Hancock's Cantaloupe Island, which is in 4/4 time, with a straight 8th note groove. I was playing 16th note rate stuff against it, so I needed to double time those rhythms— line one for example:
Becomes:
Played in a 4/4 environment that would be:
For practice purposes, and concept purposes, we're interpreting that time signature as a description of the length of the rhythm pattern, not as a demand that we play in 3/4 time.
The rhythm suggests a number of possibilities on the drum set just as a fill/solo idea— starting with RH on cymbal, with bass drum, on the 1; remainder of the rhythm played with the LH on the snare drum, with some help from the RH, as the embellishments get more involved.
Of course we're going to move that around the drums, try some different stickings, accents and embellishments. Generally try to make music out of it.
Some possibilities for line 2:
And line 4:
You'll notice:
- We often add bass drum at the end of the pattern, or between the quarter notes of the original rhythm.
- You can interpret the rhythms as a general pattern outline of fast and slow notes— you can substitute faster rhythms for the 8th notes in the original rhythm.
- You can embellish freely, double or buzz some notes, add flams, add ruffs.
One facet of a larger topic of drumistic thinking. Drummeristic. Whatever. Drumming is a process, not just playing some notes somebody wrote down. More of this coming. This post may see a major revision when I can think about it while some guys are not reroofing my house. It sounds like Gene Krupa uncrating some wildebeest with a sledgehammer on d-day around here.
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