You can get a glimpse of what it was like to see Jones in action in the forgotten (and forgettable) 1970 movie, Zachariah. [In it,] Elvin Jones, a towering, massive, frozen-faced figure, strides into the saloon in an O. K. Corral outfit, settles in behind an enormous drum kit, and proceeds to spend 10 minutes exploring its possibilities. It’s a thrilling, classic few minutes of film, like the snippets from early talkies that preserve some of the performance style of Louis Armstrong or Bessie Smith[.]
Unfortunately, no. You get to see him shoot a guy and move his arms a little bit in the presence of a drum set. The scene is actually so brutally edited, with another drummer playing much of the audio— the sound editors even have him playing over Elvin— that whatever it is, it is not a film of Elvin Jones playing a drum solo. As a representation of Jones's playing, it's much more akin to this:
Earl Palmer, the studio legend and the other drummer in question, says he was told there were problems with the original sound, and that he was asked to record some overdubs. They had him play along with the video, matching what Elvin was playing as best he could. But the scene is so crudely lashed-together, with so little regard for matching the audio with what's happening on screen, I suspect the filmmakers finally just edited it the way they wanted, and covered their tracks by layering in some more drumming noise. Obviously nobody present when cutting/mixing the final product thought they were dealing with an actual musical performance, and that they had any duty to preserve its integrity.
I don't blame Palmer, by the way. I hesitate to even refer to him by name, because he had an extremely difficult job, and his playing is not any more fairly represented here than is Elvin's. I can't believe that what we see in the final cut is something he would have approved of. In his biography Backbeat, Palmer calls it “The hardest session I ever did.”, and says he had to be talked into doing it:
Jimmy Haskell was the composer. [He was the] kind of guy [who] works the shit out of you, because he's aiming to please. He'll go past breaks, rush you, come in with the score half-written and write the rest right there. [...]
Anyway, somehow or other the sound got messed up. The drum solo had to be played all over again. Jimmy told the producers, “Oh yeah, we can do that.”
I said, “Wait a minute, I'm not going to do this. I'm not going to fucking do this, man.”
I wanted to figure out what the hell is happening on this thing, so I listened to it a number of times, and wrote up a cue sheet indicating what we're hearing, and when. It's the type of thing we do here. It turns out that in two minutes of a purported Elvin Jones drum solo, there are at least sixteen edits. There is never more than ten seconds at a time of Jones actually playing solo, and no more than 30 seconds total of just Elvin— including several very short snippets. There are at least four different drumming entities in the audio:
1. The unknown person who plays the rock vamp with the band, recorded pre-production.
2. The actor playing the drummer playing live (we probably only hear him for a moment, when he and Jones are trading places at the drum set).
3. Elvin Jones playing live.
4. Earl Palmer overdubbed, recorded during post-production.
So here we are. Cue the video up to 1:25 (maybe open it in a new window) and follow along with my comments after the break:
