Joel Rothman is one of the more mysterious figures in the drumming world; he is an extremely prolific and widely-known author of of well over 100 drum books, over 70 of which are still in print, titles including the popular Mini Monster Book of Rock Drumming
, and "the pink book", Basic Drumming (read my review), as well as the massive c. 2500 page "compleat"
series of hard bound books. He has sold well over a million books through his publishing house, JR Publications. For other publishers he has also written approximately 35 humor books for both children and adults, a dozen or so hardcover children's books, as well as several crossword puzzle and quiz books. He has nevertheless remained largely unknown personally, keeping a very low profile into the Internet age, with virtually no personal information available on line. Though published over a period of five decades or more, his books continue to be absolutely relevant, and are an important contribution to the literature of drumming. I'm not going to attempt to summarize such a large body of work, or analyze its appeal- I have several new reviews coming in the near future that will delve into that- but I'll say he investigates areas of drumming unexplored by others even today, dedicating entire books to very particular drumming problems- slow tempos, hi-hat splashes and endings, for example. Over the course of many volumes he has expanded upon the world Stone's Stick Control
in ways not found in that book or in its other successors. He deals with more familiar material with a unique player's logic I believe is very well adapted to the practical needs of drummers. It is not difficult to fill many volumes with variations on familiar materials ("now play the accent on the LOW tom"), or by mindlessly reeling off mathematical/logical permutations, as many have done; so creating such a large volume of work of continuing value, with minimal redundancy, is a major writing feat. Writing even one good book is beyond the capability of most authors.I wasn't sure what to expect when I contacted Mr. Rothman- I thought he might be very protective of his privacy- but he has turned out to be a very affable person with a fine sense of humor. Here he has very generously agreed to share the story of his life and business:
I'm 73 years young, but if there were 24 months in a year I'd only be 36 1/2. And in dog years I'm just over 10.
I was born in Brooklyn, NY in 1938. My mother understood me to be a musical prodigy, but she was wrong. I was much more than that- I was probably a total pain-in-the-a--.
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