Here's Steve Gadd playing the whole first part of Full Compass, from George Benson's record Bad Benson— it's a fully arranged thing, with some drum breaks. It's an Afro-feel 12/8, modulating to 4/4 at the end. I could do a lot more with this track, but this is all I have time for today.
As always we're struck by his incredibly deep time concept and execution— people should be thinking how do I sound that solid.
The meter change happens in the middle of the last drum break, with the 8th notes in 12/8 becoming 16th notes in 4/4. The arranged four-8th note rhythm in bars 21-22 sets it up— the accent in that pattern, which is a cross rhythm in 12/8, is the new tempo in 4/4. The real tempo change is 12/8 = ~131 to 4/4 = ~103.
In measure 18 there is a very Steve Gadd lick, I think I've written the rhythm correctly. Use a LRLR sticking, or go into the videos of him playing and see if he does this anywhere. There's something similar in the video at that link, but the bass drum is placed differently. Also visit the following link, where I've described how to work it up.
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