Riding into Paris

Operating on very little sleep here after driving back to Brussels after our Paris gigs, and organizing photos from that leg of the trip, many of which were taken with that jive Android "retro" camera app I swore I'd never use again.

A couple of more random road pics after the break:

Late gig add: Espacio ON in Etterbeek

That's a neighborhood in Brussels, which you know if you are in any position to come to the show. Espacio ON is located at Steenweg op Etterbeek 172, 1040 Etterbeek, Brussels, Belgium. Phone number is 0486278929. We will play at around 7 or 8pm (precise details coming this evening), and there is a cover of 5 euros.

See our other tour dates here.

Rehearsal @ Jazz Station - Brussels

A few shots from my quartet´s rehearsal at the Jazz Station (who were kind enough to let us play on the premises) in Brussels this afternoon. The band is myself with Jean-Paul Estiévenart (trumpet), Martin Méreau (vibes) & Olivier Stalon (bass):

 

More after the break:

DBMITW: Music for Airports

Travel day. See you in Brussels...

It's tour time

UPDATE: Late add- another gig in Brussels on Friday, Nov. 9.

My partner Casey Scott and I are flying to Brussels tomorrow to make her a record (for the Topsy Turvy label), and to do my tour in support of my new record, Little Played Little Bird. We'll be rehearsing through the weekend, recording my drum tracks at Jet Studio on Tuesday and Wednesday, and gigging my stuff from November 1-10.

Playing with me will be:
Jean-Paul Estevenart — trumpet
Martin Mereau — vibes
Olivier Stalon — bass

Come on down, hear us play and say hello if you're in the vicinity. And check back here or at Todd Bishop Jazz for updates from the road. 


Thursday, Nov. 1
Bar Belge — Paris  
97, avenue du Général Leclerc
94700 Maisons-Alfort FRANCE
01.43.68.20.50

Friday, Nov. 2  
Le Bab-ilo — Paris
9 Rue Baigneur, 75018 Paris, FRANCE
01 42 23 99 19

Sunday, Nov. 4 
Café Belga — Brussels
Place Eugène Flagey Plein
B-1050 Bruxelles/Brussel BELGIUM
Tel:+32 2 640 35 08

Tuesday, Nov. 6
LiquID  — Luxembourg
15-17 Rue Munster
 L-2160 Luxembourg-Grund
(352) 22 44 55

Wednesday, Nov. 7
Buster  — Antwerp 
Kaasrui 1 2000
Antwerpen, BELGIUM
+32(0)497 71 81 33

Thursday, Nov. 8 
Sazz'n Jazz — Brussels
Rue Royale 241 /  241 Koningsstraat
1210-Bruxelles BELGIUM
32 (0) 475 78 23 78

Friday, Nov. 9  — 19:00 (or close to it!)
Espacio ON
Steenweg op Etterbeek 172
1040 Etterbeek, Brussels, Belgium

Friday, Nov. 9  — 22:00
Centre d’Ecologie Urbaine — Brussels 
789 Chaussée de Waterloo
 B-1180 Bruxelles BELGIUM
+32-2-34-32-281 ou +32-488-88-36-43
With songwriter Casey Scott.

Saturday, Nov. 10  
Jakobshof — Aachen
Stromgasse 31 52064 Aachen GERMANY
0241 36800

Anyone who wants to contact me can reach me most reliably through Olivier Stalon— I will be available for private lessons until November 10th.

My brother John Bishop, a great drummer, will also be in Belgium at the same time, incredibly, and you should go see him play if possible.

Sewing day

Backstitch — makes a strong seam

[UPDATE: My sewing job survived the tour, despite being tested fairly extremely; I had to lighten my rolling duffle before checking it, and put my snare drum stand (a lightweight Pearl) in the pouch along with my stick bag when flying to and from Portland.]

Has anyone else noticed that the quality of drum bags of late has gone— how shall I put this— straight into the crapper, somewhat?  I have a Sabian cymbal bag, a Beato stick bag, and a Tuxedo bass drum bag which have all begun to fall apart way too fast— that bass drum bag actually arrived in the mail with the lining already undone, and I didn't feel like hassling with the returning it. The others have lasted a little longer— the Sabian bag survived the warranty period, just, only to have the fabric on the pocket begin to unravel at both corners:

I'm sorry to report that Sabian's customer service department was a lot more effective at enforcing their 1-year warranty than they were making me happy. I did manage to get a phone number, and possibly could have browbeat them into replacing it for me— usually it takes talking to someone in person, and being coolly persistent, even after they've given you several unequivocal noes— but again, I just didn't feel like hassling with it. 

So I got out ye olde needle and thread and sewed the damn thing up. If you have any bags in a similar condition, start by very carefully cauterizing the fraying edge of the nylon with a match, burning off the loose threads back to the good fabric without melting the whole bag. The stitch I used is a backstitch, which you can see illustrated above; apparently it's good for this application. I'll let you know how it holds up.

For the record, I've found Beato's products in general to be excellent; I've been using their mid-range drum bags and stand case for several years, and they've held up well— the stand case especially, as it has seen the hardest use. The stick bag just had the flap on the pocket come undone, which I've sown up— what's notable is that it's the second bag of that model I've owned which has done that.

What it is: swing rhythm

Extremely preoccupied with tour preparations, obviously, but fortunately I have a couple of things on deck:

Swing interpretation is something we use a lot here, and I've mostly assumed people know what it is— you probably wouldn't be reading all of this high-flying jazz drumming nonsense if you didn't. It's still a good idea to spell it all out, so people aren't working with partial information; so here are my ideas about it. I'm a player who happens to also be a teacher, and not a scholar, so other people may have different, better, or more complete ideas about it, despite the unequivocal-sounding title of the post.

Swing is a way of playing 8th notes. If you look at a fake book, a big band chart, or sheet music for standard tunes, for the most part they are written in regular old 4/4, using mostly 8th notes and longer rhythmic values:

Often explanation of how to play that with a swing feel is limited to this, or its verbal equivalent:

Swing = triplets. Got it. NEXT!

Except... no. Swing = triplets approximately the same way a “flesh”-colored Crayola = the color of human flesh:

That is, the circumstances under which flesh is flesh crayon colored are actually rather few, depending on the complexion of the individual, and the lighting in which he or she is viewed. Likewise with music, swing interpretation varies according to the player, the tempo and style of the piece, and what's going on musically at the moment.

Continued after the break:

Working on merch

Nothing but tour-related stuff going on around here right now. Here are the t-shirts we'll be selling:

And:

You can get one for $20, US shipping included— just use the “donate” button on the right, and include a note with your mailing address.

DBMITW: Sonny Sharrock

Having a very busy weekend with students, gigs, and tour preparations, so here's one of my favorite records from the 90's, Sonny Sharrock's Ask the Ages— by far his best album that I've heard. With Pharoah Sanders, Charnett Moffett, and Elvin Jones:



Get Ask the Ages

A couple more after the break: