The 50's were apparently also the heyday of the quasi-Afro feel— all of the hard bop guys seem to have had their own way of making it. This one is by Philly Joe Jones, on the tune East of Brooklyn, from Hank Mobley's Blue Note album Poppin':
Writing it this way makes it clearer that the hihat is on 2 and 4:
This isn't available on YouTube, so you'll have to either buy the track for $1.99, or get the entire record, along with two others, for $10 at the link above. Maybe it's available on iTunes.
Showing posts with label Hank Mobley. Show all posts
Showing posts with label Hank Mobley. Show all posts
Sunday, September 30, 2012
Thursday, September 27, 2012
Groove o' the day: Art Blakey with Hank Mobley
This is from the 1955 album Hank Mobley Quartet (it doesn't appear to have been reissued recently, so you'll have to just buy the mp3). The tune is Avila and Tequila, and Art Blakey plays what I'll call a Blue Note cascara on the intro:
The right hand part in the last two measures is similar to a bell pattern I've seen associated with a Mozambique feel. In the 50's fashion, they play the Latin feel on the intro and A sections only, and swing the rest of the tune, including the solos. Notice that Blakey seems to have a hard time not swinging the rhythm.
Audio after the break:
The right hand part in the last two measures is similar to a bell pattern I've seen associated with a Mozambique feel. In the 50's fashion, they play the Latin feel on the intro and A sections only, and swing the rest of the tune, including the solos. Notice that Blakey seems to have a hard time not swinging the rhythm.
Audio after the break:
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