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I immediately noticed that:
- Used LPs are cheap. In 20 minutes in the store (Crossroads Music in Portland, a used record co-op) I found a couple of dozen easy purchases I have never seen online, for 3 to 5 bucks. A lot of classic recordings were reissued many times with different packaging, and tend to be dirt cheap. Some things have gone up in price- Miles Davis In Concert cost me $4 in the mid-90's, before people started liking 70's Miles again; today I saw it for $8. The most expensive things I would've considered buying were about the same price as a new CD.
- Computer music is formatted for casual listeners (or "amateurs"), which you are not. As a musician, albums of music are your medium- they are your large-scale works. You need to have a strong sense of the collection of tracks as a whole, played in a certain order (preferably with an A side and a B side) and a certain amount of time between tracks, strongly associated with a title, the artwork, the group of musicians who played on the record, the songwriters, and the recording date, studio, engineer, and producer.
- By the way, have you ever searched for Tony Williams on iTunes? They tell you only albums he recorded as leader. No indication whatsoever that he once played with a minor group known as the Miles Davis Quintet. Same with Elvin Jones- searching for him returns a big fat "Coltrane who?"
- The packaging is incredibly efficient. To get all of that info, you turn the cover over and look. Instead of the dozen-plus clicks it takes to open a file browser and rooting around for the info file, or googling the album title and clicking around within a couple of different sites before you maybe find the information you want. Or just succumbing to the inertia and never finding out.
More reasons/observations after the break: