For my man Michael Griener in Berlin, some more Dannie Richmond, this time with Bennie Wallace, playing Straight No Chaser, by Thelonious Monk of course. From the 1981 album Bennie Wallace Plays Monk, on the Enja label. I transcribed the section where he plays duo with Wallace.
His playing here is very similar to some things we talk about on the site— you can see here what I meant calling him a modern player, in a way that clearly evolved on the gig, a la Roy Haynes or Mel Lewis, rather than in the practice room.
It's a good natural example of the right hand lead thing, or “non-independent” playing— driven by the cymbal and bass drum, in broken, syncopated rhythms, with the snare drum filling in. Contrast that with a real grounded bebop kind of playing, with a steady cymbal and hihat rhythm, independent left hand, with bass drum feathering and making punctuations.
Generally he'll lean into beats 2 and 4, often ending measures and phrases on the & of 4, rarely landing strongly on the 1. A lot of it is phrased in syncopated three beat ideas, usually contained within two measure phrases.
The transcription begins at 2:35 in the track, and they play five 12-bar choruses before the band comes back in. The tempo is quarter note = 238— a number deserving of some kind of special status, because I see it a lot. Seems to be about the bottom fast tempo. A good first number to have in mind when learning to play faster tempos.
I notated three cymbals here, but it hardly matters. There is probably more snare drum activity than I was able to hear— he plays it very softly at times. It's also hard to hear the hihat for much of it, and I gave up on including it part way in. Where I did write it, it seems significant to the way he's phrasing that passage.
I may do some further analysis of this— there are clearly some emergent rubadub type patterns in there, and some kind of Reed system to be gleaned from it.
